We are surrounded with things which we have not made and which have a life and structure different from our own: trees, flowers, grasses, rivers, hills, clouds. For centuries they have inspired us with curiosity and awe. They have been objects of delight. We have recreated them in our imaginations to reflect our moods. And we have come to think of them as contributing to an idea which we have called nature. Landscape painting marks the stages in our conception of nature. Its rise and development since the Middle Ages is part of a cycle in which the human spirit attempted once more to create a harmony with its environment.

Kenneth Clark, Landscape into Art (1944)

Giorgione_tempestGiorgione, The Tempest (1508)


Johannes Vermeer, View of Delft (1661)


Thomas Gainsborough, Mr.and Mrs Robert Andrews (c. 1748–1750)

J.M.William Turner, Snow Storm: Steam-Boat off a Harbour’s Mouth (1842)

Wild Poppies Near Argenteuil

Claude Monet, Wild Poppies Near Argenteuil (1873)


Paul Klee Landscape with yellow church tower (1920)

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vty is professor on Landscape Theory and Landscape design at the Catalonian Politecnical University in Barcelona and at the Politecnico di Milano

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