Michel Desvigne, Keio University Roof Garden (2012)

Having reached what one architecture critic described as the midpoint in my career, I feel I have nothing to show. Or at least nothing that resembles the seductive images in architecture books, nothing reminiscent of photogenic models, nothing that could be compared to the paradisiacal computer-generated images that clutter the trade journals. My work requires few objects—ideally none at all—and only ordinary materials. It does not entail any heroic feats of execution or any extravagance. So it is distinguished by a certain poverty. It is not a deliberate desire for an architettura povera, but rather the option of rusticity. It is a rigor that stands out in my mind. A structurally unrewarding youth. I do not feel any frustration about it. This was not always the case, and I sometimes resorted to appurtenances that were likely to give my efforts the status of works of architecture: the use of layouts or familiar objects, for example. This provided me with a very fleeting reassurance.

Michel Desvigne, Intermediate Natures (2009)


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