I never use water as a barrier. I use water in cities as a living force, on some level like plants. It moves, it sparkles, it sounds good, you can touch it, you can play in it. (…)

I wouldn’t be in this work if I didn’t think it would—well, I don’t know how much it transforms people—but it can go a long way toward making their lives more meaningful and enhancing their lives. And if it’s done right, it can promote healing. A lot of healing can be done in a wonderful environment. (…)

They will feel about you that you’re going to make something wonderful for them. And they help you by expressing themselves. Not telling you how to do it, but encouraging you and accepting your vision and working with you on that kind of a level. (…)

‘Memorable’ and ‘intense’ and ‘passionate’ are words that I prefer to ‘pretty’ when I’m making places for people.

Lawrence Halprin, Notebooks 1959 to 1971 and other texts


0684e7f079eadea5d0535c2de7118d4aira.keller.fountain11389314-largeth-26a00d8341c86d053ef0120a6353dea970b-800wi 8275066227_0616676cdb_b

Lawrence Halprin, Ira Keller and Lovejoy Fountains


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s