Social Order

Olmsted employed the term pastoral instead of the beautiful or picturesque to evoke a familiar, tranquil, and cultivated nature as a counterpoint to the city. Olmsted’s pastoral wove together the precepts of eighteenth-century landscape theory and Jeffersonian agrarianism.

Even more than Downing, Olmsted regarded the landscape as an instrument of social order. Gently undulating grass, serpentine lakes, sinuous pathways, and leafy woodland groves provided urban dwellers a much-sought-after alternative to the dense industrial city, presumably with salutary moral as well as physical effects. Not intended as a zone of active use, the pastoral public park presented composed scenery for passive viewing. The purpose of this engagement Olmsted described with typical zeal: “No one who has closely observed the conduct of people who visit Central Park can doubt it exercises a distinctly harmonizing and refining influence upon the most unfortunate and lawless of the city —an influence favorable to courtesy, self-control, and temperance.”

Urban dwellers proved much more resistant to “harmonizing” than Olmsted expected, and in the face of American pluralism, public parks became more diverse in their activities and accommodations. Nevertheless, as reiterations of Central Park appeared in cities large and small across the United States by the beginning of the twentieth century, the enveloping pastoral aesthetic of the public park prevailed and carried with it the equation of pastoral scenery and ameliorative social influence.

Louise Mozingo, Pastoral Capitalism (2011)

Frank Leslie, The Central Park. A delightful resort for the toil-worn New Yorkers (1869)

Header: Frederick Law Olmsted + Calvert Vaux, Map of Central Park, New York City (1868)

Speculators and Men of Business.

I ever saw that has been really built at all in accordance with the advanced science, taste, and enterprising spirit that are supposed to distinguish the nineteenth century. I happen to observe them. Certainly, in what I have noticed, it is a model town, and may be held up as an example, not only to philanthropists and men of taste, but to speculators and men of business.

Frederick Law Olmsted, The People’s Park at Birkenhead (1851)

Joseph Paxton, Park at Birkenhead (1847)

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New_York_City_Central_Park_from_Rockefeller_Center_NIH

Calvert Vaux and Frederick Law Olmsted’s Central Park, as viewed from Rockefeller Center (1936)

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