Genius loci is a Roman concept. According to ancient Roman belief every “independent” being has its genius, its guardian spirit. This spirit gives life to people and places, accompanies them from birth to death, and determines their character or essence. Even the gods had their genius, a fact which illustrates the fundamental nature of the concept”. The genius thus denotes what a thing is, or what it “wants to be”, to use a word of Louis Kahn. It is not necessary in our context to go into the history of the concept of genius and its relationship to the daimon of the Greeks. It suffices to point out that ancient man experienced his environment as consisting of definite characters. In particular he recognized that it is of great existential importance to come to terms with the genius of the locality where his life takes place. In the past, survival depended on a good relationship to the place in a physical as well as psychic sense. In Ancient Egypt, for instance, the country was not only cultivated in accordance with the Nile floods, but the very structure of the landscape served as a model for the lay-out of the “public” buildings which should give man a sense of security by symbolizing an eternal environmental order.
During the course of history the genius loci has remained a living reality, although it may not have been expressively named as such. Artist and writers have found inspiration in local character and have “explained” the phenomena of everyday life as well as art, refering to landscapes and urban millieus. Thus Goethe says: “it is evident, that the eye is educated by the things it sees from childhood on, therefore Venetian painters must see everything clearer and with more joy than other people.”
Gunnar Asplund + Sigurd Lewerentz, The Woodland Cemetery (1920)