I built this project by myself. There were no other laborers. I hammered each stone joint and moved each stone down the path on a small wooden cart. I transferred tens of tons of gravel and sand as a setting bed with a wheelbarrow and I moved nearly 400 tons of stone in the wall and as paving over the 800-foot length of the path. I opened the existing stonewall, chose the course of the path within it and rejoined the residual wall stone in such a way that the path appears to have grown organically within this stonewall where it resides. I was able to personally lay stones so as to avoid individual clumps of ferns, standing trees, fallen logs and existing stones with mossy growths in the wall. This was done in an attempt to preserve as much as of the preexisting life of the enormous wall as possible. (…)
This project is an illustration of the labor of one person inspired to change the world. In this instance by joining stone and by making a path into the woods with great sensitivity, I am working to heal, in a small way, the rift between culture and nature that is intrinsic to our modern relationship to the land.
Today, design and fabrication are generally distinct entities. Labor is devalued. Unknown people toil to make our things. Machines spew out the stuff of our needs and desires and the making of them dehumanizes the production class and despoils the land. Of course the machines are essential, and some disconnect between design and fabrication is inevitable, but this project openly asks if perhaps our fascination with the virtual over the actual, or with design over build, has gone too far? I would suggest that it has and that this disconnect certainly harms nature but it endangers our humanity even more so.
The goal of this project is to integrate the visitor with nature as he or she walks along this path through the woods. I hope to help these visitors feel the life and wonder of the natural world of which we all are a part.