Genius Loci

The most frequently quoted reference on locality is probably Christian Norberg-Schulz’s  book ‘Genius Loci’. He stresses the importance of place for our existence—whatever happens, happens somewhere i.e. in a place. Place is not an abstract or quantifiable but a qualitative phenomenon. He criticises the way that modern architecture deals more with abstract functionality that can be applied in a generic way than with tangible meaning that is specific to a place. For Norberg-Schulz, “the existential purpose of building (architecture) is therefore to make a site become a place, that is, to uncover the meanings potentially present in the given environment.”. In other words, the specific character of a site needs to be understood and developed. If this is achieved, people are able to really dwell there—a highly desirable goal for Norberg-Schulz, because it indicates a“total man-place relationship”. Two psychological needs are fulfilled in this ideal situation: orientation and identification. Following Kevin Lynch, he explains the importance of orientation for human dwelling: without orientation,“man feels lost’”. But identification with the environment is even more important. Identification means becoming friends with a particular environment and its properties.

Norberg-Schulz’s phenomenological call for real things and the importance of character and orientation are useful advice for designers of urbanisation projects—but the issue of identification is more difficult if you have a site that offers little with which people can identify. How can you design for identification then? This issue exposes a problem with Norberg-Schulz’s theory, which relies heavily on existing layers of history to which new construction has to relate. Although he stresses the importance of time and change in realising the genius loci by mentioning: “To respect the ‘Genius loci’ does not mean to copy old models. It means to determine the identity of the place and to interpret it in ever new ways.”, most of his arguments have a preservationist perspective, which isn’t much help in the face of rapid urbanisation. Another problem of his theory is the use of dualisms, like settlement versus landscape or natural spaces versus man-made spaces. Almost forty years after he wrote Genius Loci, these oppositions have become questionable in the light of contemporary debates on planetary urbanisation or the Anthropocene.

To summarise: Norberg-Schulz offers a deep analysis from a Western point of view and raises awareness of the topic. However, he gives scant advice on designing for locality in contemporary and future urbanisation projects on previously unsettled territory.

Paolo Bürgi, Cardada Geological Observatory (2000)



Nature, ecology, and landscape are important reference concepts for landscape architecture. Traditionally, all three have been considered polar opposites from culture or humanity, in a dualistic relationship. With regard to the latter two, this position has changed ecology has been conceptualized as something cultural that can be designed by humans, and a similar shift has occurred with the traditional understanding of ‘landscape’; for example, with recent definitions by J. B. Jackson as a man-made, artificial system, or by the European Landscape Convention as ‘the result of the action and interaction of natural and/or human factors’. A like integrative understanding of ecology and landscape has also been proposed in landscape architectural theory (as well as in philosophy) for some decades now, serving as the foundation for new movements, such as landscape urbanism or ecological urbanism. Yet nature, the most far-reaching of the three concepts, is still mainly understood in the traditional way. Nature is seen as a counterpart to human culture, as something independent from human influence a concept that has dominated the Western world since Aristotle. But, is this a problem? It would be if this type of nature -something independent from human influence- no longer existed, which is precisely what many philosophers or scientists propose today.

According to philosopher Slavoj Zizek, ‘Today, with the latest biogenetic developments, we are entering a new phase in which nature itself melts into air: the main consequence of the breakthroughs in biogenetics is the end of nature. Once we know the rules of nature’s construction, natural organisms are transformed into objects amenable to manipulation. Nature, human and inhuman, is thus “desubstantialized”, deprived of its impenetrable density’.

Inspired by the nearby mountain range, Khao Yai, Thailand’s largest rain forest, the landscape is created as the link between the architecture and Nature. Instead of trying to produce a faked natural forest, the architecture is interpreted as big trees while the landscape represents the green areas underneath. Working with different qualities of sunlight, the landscape solution successfully introduces the man-made sustainable forest, which inspires the residents to understand and appreciate what Nature is all about.

T.R.O.P., Botanica Khao Yai (2014)