When we work as landscape architects, despite many explanatory models, design remains an obscure process of trial and error — who will clear up the error? — of ‘attitude’ and ‘intrinsic nature’ of morphology and performance models. C.Th. Sørensen talked about inventions. The results. at least, are on view.
Supposing we understand avant-garde landscape architecture the same way we do with architecture and the other arts as the realization of abstract ideas in this case of nature, ecology and society. Then designing should consequently be understood as the ‘invention’ of information systems or layers that overlap with existing elements. This must precede any thoughts on appearance or expression. Working the other way round can be seen as trite, as patronage, and as predetermining interpretations and even feelings.