At Gas Works Park, the industrial works and the waste burial mound were transfigured through site design into aesthetic objects. This was achieved, first, through masking their presence with a thick, green wall separating the parking lot from the park, and then through juxtaposing silhouetted towers in the foreground with the city in the distant background. These objects were made heroic by their isolation and lack of of functional context. They evoked the technological sublime awe of our ability both to control nuture, space, and time through technology and to create magnificent forms clearly expressive of that control.
Elizabeth K. Meyer, Seized by Sublime Sentiments (1998)