Political Activity

  1. Just as a landscape is a way in which people and place relate, making landscapes is unavoidably a political activity because implicit in the transformation people bring to a place is the way people are organized in order to do this. However, the set of  representations used to create landscapes tends to eclipse the political dimension.
  2. Landscapes created through representation propose and legitimize the ways people and places are associated, which are susceptible to be used as instruments for  convincing and propaganda for policies that were formulated prior to them.
  3. Metropolises come with the presumption (where the interest of institutions and landscape makers converge) that people are not capable of expressing themselves or  relating to each other in them, that they are only the sum of unrelated individuals who do not know how to behave in the new landscapes of the city.
  4. Point 3 leads to the conviction of understanding public space as a place in which to adapt people to the new landscapes of the city through education. However, it is actually in the pursuit of this objective that the need is seen to erase the cultural baggage these people have, so that they can be taught to fit into the previously represented landscapes of the city’s large green spaces.
  5. The education project shown in Point 4 often produces political conflicts between people and the institution of public space, in which the landscape maker plays a role, no longer of educator, but of integrator of the many discourses of the people in them which are compatible with the one that institutions advocate.
  6. Some creators have thought about using the landscape not to mute or to educate, but on the contrary, to encourage people to express themselves. In such processes, the change in discourse changes the way in which we perceive landscapes.
  7. Paradoxically, the conversion of the city into an exhibition space for the urban spectacle opens spaces where new languages can become visible when the spectacle ages or deteriorates. The city of exhibition becomes volatile and even fragile if its discourse is not constantly nourished.
  8. While landscape has been used as an instrument of conviction and controlling  discourse, a way of thinking is being formulated that tends towards the democratizing potential of landscape. This will lead to a new figure of landscape maker in a process which we will continue to study.

Victor Ténez Ybern, Notes on the Politics of Landscape (2016)

Coloco, Asfalto mon Amour (2013)

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Reservoir

The Third Landscape – an undetermined fragment of the Planetary Garden -designates the sum of the space left over by man to landscape evolution – to nature alone. Included in this category are left behind urban or rural sites, transitional spaces, neglected land, swamps, moors, peat bogs, but also roadsides, shores, railroad embankments, etc. To these unattended areas can be added space set aside, reserves in themselves: inaccessible places, mountain summits, non-cultivatable areas, deserts; institutional reserves: national parks, regional parks, nature reserves.

Compared to the territories submitted to the control and exploitation by man, the Third Landscape forms a privileged area of receptivity to biological diversity. Cities, farms and forestry holdings, sites devoted to industry, tourism, human activity, areas of control and decision permit diversity and, at times, totally exclude it. The variety of species in a field, cultivated land, or managed forest is low in comparison to that of a neighboring «unattended» space.

From this point of view, the Third Landscape can be considered as the genetic reservoir of the planet, the space of the future…

Gilles Clément, The Third Landscape Manifesto (2003)

Gilles Clément + Coloco, Third Landscape Garden at St. Nazaire (2009)

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