Finally

When it first came into being, the word landscape had two meanings. It denoted an area, an extent of the earth’s surface with boundaries, a meaning that has persisted until the present day. But landscape referred also to the group that shaped that area through practices, rituals, and institutions. Like the modern ‘township,’ landscape in this original sense was both a physical space and a political community. And like political communities everywhere, landscapes were almost always marked by unequal degrees of power. Landscapes were, and remain, places of contest and conflict, of hard work and brute force, even when studiously concealed. To ignore this political dimension of any landscape is to miss a fundamental part of its essence.

So: recover the political dimension of landscape. Wherever you work, know who has influence, who lacks it and why. Take the measure of old rivalries. Understand power.

Thomas Oles, Go with me : 50 steps to landscape thinking (2014)

Perhaps politics has really taken notice of the landscape? Is the opposite also true? The crises accompanying periods of great change are often occasions for new moments of creativity. The time has come to adapt and initiate a dialogue that manages to involve the general public. The landscape involves the science and technique of relations; it is not only an object of contemplation and reaction, but also a discipline in its own right. In recently times, the relationship between the landscape and politics has grown schematic, ambiguous and evanescent. Successively, it is as if it foresaw the imminent coming of a moment of truth, a moment that would raise a question that is not only cultural, but with notable effects on social and economic, and thus eminently political values. The greatest difficulty was to admit the need for a new approach, that it was no longer possible to wait and that the time had come to act and take risks. Despite the anti-political nature of a vision of the landscape as a controlled and guaranteed consumer good, a new way of speaking about the landscape and politics gives precise meaning to these two terms. The problematic dimension of the landscape viewed as a «project» highlights the urgency for transformation, a dimension that demonstrates not only an elevated level of ductility, but also a usefulness, in many cases strategic, to the governance of phenomena in an explosive phase of becoming. The thesis, to date in no way to be taken for granted, is that the question of designing the landscape is a challenge, a political emergency to be confronted as a priority.

Franco Zagari, Landscape and Politics, Finally (2016)

Franco Zagari, Victor Hugo Square (2007)

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As If

A core topic for landscape architecture education is how to deal with ordinary places, renewing perception and invention tools. We propose to use playing as a design method. In Italian, paesaggio is a noun of action derived from a verb. To play is to act, in a creative and adaptive way, mixing visible and hidden, actual and imaginary items. To image landscape could be a serious game of civic arts based on simulation, on the “as if” stratagem, taking city by surprise. Stressing the idea of landscape as result of actions (material and/or intangible) and producing landscape by playful in situ artistic interventions, we can feed awareness of the inventive potential of our eyes (how to look) and hands (how to transform). Among the open spaces of the city, car parks exemplify more than others the potential of imaginative new practices to activate ordinary landscapes of our cities.

Annalisa Metta, Landscape as a Play Action. The “as if” Stratagem (2013)

Franco Zagari & Annalisa Metta (curators), Author’s Follies & Creative adventures (2019)

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