Whose Landscapes?

Who benefits from landscape architecture? To move beyond the simple, aspirational answer – everyone – raises further questions. Who do we think the beneficiaries ought to be, and what is their place in the texture of society as a whole? Planning and designing our future landscapes takes place in a cultural context, and culture is not monolithic. So whose culture, whose landscapes, are we conserving, enhancing or developing anew? 

The challenge in these terms reflects the condition of the western world as we enter a new millennium. Do we properly recognise the value of cultural landscapes, should we make explicit the cultural assumptions implicit in the way we manage landscapes, and how do we weigh the importance of developing new cultural expressions against that of conserving the old?

Catharine Ward Thompson, Who benefits from landscape architecture? (2005)


Is the Natur-Park Südgelände a good example of a successful integration of urban wilderness into the open-space system of a metropolis? What speaks in its favor is the simple fact that this kind of nature development has indeed been successfully safeguarded despite substantial competition for use in the reunited German capital. The contrast between dynamic nature and the remnants of the railway industry heritage is fascinating to all visitors. Unfettered wilderness development is always taking place in parts of the Südgelände. Through the spatially differentiated maintenance plan, the earlier and middle stages of nature development are maintained and thereby the diversified vegetation complexes are maintained in the long term. The species targeted for nature conservation profit as well from the maintenance measures. The public acceptance of the nature park is extremely high.

The original railway wilderness has, however, clearly been affected by design interventions in the form of the new path system, the maintenance and the art objects. Has this destroyed the original uniqueness, the “wilderness” of the Südgelände? Certainly the character of the site has changed. The few who earlier had discovered the Südgelände on their own recognize the contrast very clearly. To wake Sleeping Beauty, however, also means to open the urban wilderness to a multitude of visitors who did not have an inherent sympathy for the nature of urban abandoned areas. That such access, even designed access, satisfies a need for wilderness has been shown in studies such as the one by Bauer.


    Odious, Natur Park Schoeneberg Sudgelande (2009)